Jumat, 19 Oktober 2012

PDF Ebook Lost with Directions: Ambling Around America, by Rob Erwin

PDF Ebook Lost with Directions: Ambling Around America, by Rob Erwin

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Lost with Directions: Ambling Around America, by Rob Erwin

Lost with Directions: Ambling Around America, by Rob Erwin


Lost with Directions: Ambling Around America, by Rob Erwin


PDF Ebook Lost with Directions: Ambling Around America, by Rob Erwin

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Lost with Directions: Ambling Around America, by Rob Erwin

About the Author

After a career of coaching small-college football that took him across the country, Rob Erwin now writes full time about his travels through America’s eclectic small towns and remote wild places. Born and raised in rural Illinois, he currently lives in Bettendorf, Iowa, with his wife, Kellie. His next book, Lost on the Rails, is slated for release in December 2017.

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Product details

Paperback: 184 pages

Publisher: CreateSpace Independent Publishing Platform (November 17, 2016)

Language: English

ISBN-10: 1539545318

ISBN-13: 978-1539545316

Product Dimensions:

5.2 x 0.5 x 8 inches

Shipping Weight: 7.7 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

47 customer reviews

Amazon Best Sellers Rank:

#315,326 in Books (See Top 100 in Books)

This book is about Mr. Erwin's vacation. He visits several National parks where he parks his car and with a very heavy backpack, walks a couple miles to a designated camp site, sets up his tent, goes to sleep, wakes up, "tears down" camp, walks back to his car and drives to the next stop.The book is poorly edited which made it difficult for me to read. Little things, like he says he can't see things far away because he is "farsighted." He does have a few mildly interesting experiences but I wouldn't think enough to write a book about.I appreciate the time and effort Mr. Erwin put into writing this story, and I hope it is a success for him.

Planning my own very similar solo road trip out West from Michigan for late May 2017, my chance encounter with this book was a godsend of awesome advice at the perfect time and so enjoyable it was like listening to stories from one of my backpacking buddies around the campfire. Having visited Great Smokey Mountains NP in late March 2017, the beginning of the book was easy to relate to and laugh along with. But it was the rest of the chapters I am so grateful for. Based on the suggestions here, I'll be deviating south to visit Grand Teton NP and Jackson Hole with a stop at Thermopolis Hot Springs on the way before continuing north to Yellowstone and Glacier NPs. Thanks for an excellent bedtime read over the past three nights and sharing these experiences. Prayers for no bears (or aggressive coyotes).

I was really hoping for more adventures out of this book, comedic encounters, something.... Really, it just sounded like an ordinary camping trip that any of us would have with minimal if any interesting adventures. Further, I wouldn't call much of it adventures in the wilderness, but really very accessible standard campsites in national parks. Perhaps it is the author's experience level. I figured he would be gone on long cross country adventures with all kinds of stories, but really it was a couple of major national parks where there were probably more tourists than locals. For me, it was a miss....

Having been to all the areas identified, this was a nice read to put myself back there in beautiful park land. Lucky for him that he had worked in the parks before. Might never have made that shower.

Book sounds like a really good read. My family and I travel all over in our camper van and I thought this would be a great book for my husband as this is something he longs to do! However, the narrative is very scrambled and not incredibly cohesive in its storytelling. Overall, it is ok, but better books out there for the adventure enthusiast without a plan.

Lost with Directions is one of the best books I have ever read! Once I started, I was unable to put it down until the end! Mr. Erwin's recount of his adventures across America will make you want to put on your hiking boots and leave your ho hum day to day life and have an adventure of your own. Not only is the story wildly funny, he includes many facts about the places he visited and wildlife he encountered with such detail that you feel as if you are along for the adventure! I highly recommend this book to anyone.

This book was excellent. Such a transparent tale of the trials and tribulations associated with unknown adventure. The comical banter amongst friends interlaced with beautiful descriptions of the surrounding environment is sure to capture the attention of anybody looking to get lost in the wilderness from the comfort of their home. Can't wait for his next book!

Everyone in our family got lots of laughs and smiles from this! We live near Yellowstone & can really relate- a fun quick read worth passing around.

Lost with Directions: Ambling Around America, by Rob Erwin PDF
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Lost with Directions: Ambling Around America, by Rob Erwin PDF

Lost with Directions: Ambling Around America, by Rob Erwin PDF

Lost with Directions: Ambling Around America, by Rob Erwin PDF
Lost with Directions: Ambling Around America, by Rob Erwin PDF

Jumat, 05 Oktober 2012

Free PDF Sketching Light: An Illustrated Tour of the Possibilities of Flash (Voices That Matter)

Free PDF Sketching Light: An Illustrated Tour of the Possibilities of Flash (Voices That Matter)

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Sketching Light: An Illustrated Tour of the Possibilities of Flash (Voices That Matter)

Sketching Light: An Illustrated Tour of the Possibilities of Flash (Voices That Matter)


Sketching Light: An Illustrated Tour of the Possibilities of Flash (Voices That Matter)


Free PDF Sketching Light: An Illustrated Tour of the Possibilities of Flash (Voices That Matter)

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Sketching Light: An Illustrated Tour of the Possibilities of Flash (Voices That Matter)

From the Back Cover

Following up on the great success of "The Moment It Clicks "and "The Hot Shoe Diaries: Big Light from Small Flashes, " legendary magazine photographer Joe McNally takes us on another memorable ride with Sketching Light, another trip into the land of light--but this time running the gamut from small flash to big flash, and everywhere in between. Of course, Joe includes coverage of Nikon Speedlights, but he also covers big flash, as well as "in-between" lights as the Elinchrom Quadra. The exploration of new technology, as well as the explanation of older technology. No matter what equipment Joe uses and discusses, the most important element of Joe's instruction is that it is straightforward, complete, and honest. No secrets are held back, and the principles he talks about apply generally to the shaping and quality of light, not just to an individual model or brand of flash. He tells readers what works and what doesn't via his let's-see-what-happens approach, he shows how he sets up his shots with plentiful sketches and behind-the-scenes production shots, and he does it all with the intelligence, clarity, and wisdom that can only come from shooting in the field for 30 years for the likes of "National Geographic, Time, Life, " and "Sports Illustrated"--not to mention the wit and humor of a clearly warped (if gifted) mind.

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About the Author

JOE McNALLY is an internationally acclaimed American photographer and longtime photojournalist. His most notable series is “Faces of Ground Zero—Portraits of the Heroes of September 11th,” a collection of giant Polaroid portraits. He also photographed “The Future of Flying,” the first all-digital story for National Geographic. His award-winning work has appeared in numerous magazines. Joe's previous books are the critically acclaimed and bestselling The Moment It Clicks and The Hot Shoe Diaires: Big Light from Small Flashes. 

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Product details

Series: Voices That Matter

Paperback: 432 pages

Publisher: New Riders; 1 edition (December 16, 2011)

Language: English

ISBN-10: 0321700902

ISBN-13: 978-0321700902

Product Dimensions:

8 x 1 x 9 inches

Shipping Weight: 2.7 pounds

Average Customer Review:

4.8 out of 5 stars

133 customer reviews

Amazon Best Sellers Rank:

#360,657 in Books (See Top 100 in Books)

If you are a student of light, then consider Joe McNally`s new book Sketching Light to be a must-read. Sitting down with Sketching Light is like sitting down for a beer with Joe as he talks you through his favorite pix in a photo album. The conversation will wander, stories will be spun, jokes will be told, detailed insights will be shared, advice will be given, and you'll walk away grateful for the opportunity.Short bits to know about 'Sketching Light'...>The book is Nikon-centric. Joe is Nikon-centric. Don't let this worry you. If you shoot Canon, or Sony, or any other brand, don't despair. Strip out all the Nikonian jargon and 'Sketching Light' remains a heavyweight when it comes to lighting. (And, if you shoot Canon, check out Speedliter's Handbook: Learning to Craft Light with Canon Speedlites -- written by yours truly. It will give you all the buttons and dials info that you need to drive a Canon Speedlite.)> 'Sketching Light' is a book about the possibilities of flash and it covers the full spectrum. Joe shoots Speedlights. Joe shoots big lights. Sometimes you need just a breath of on-camera fill flash from a Nikon SB-910. Sometimes you need the punch of an Elinchrom Ranger. Sometimes you need one light. Sometimes you need to haul out every light that you can get your hands on.> There are plenty of set shots that show Joe and his gear in action. You'll also find Joe's signature lighting diagrams--drawn by hand on napkins and sketch pads--for nearly every shoot in the book. I recommend keeping a highlighter and a black marker on hand so that you can annotate your "aha!" moments as you read.> Yes, there are photos in the book that no mere-mortal could make. Joe is, after all, the Indiana Jones of photographers. Yet, there are also dozens of shots that you can make today with gear that you likely have around you right now.> There are no photo captions in the book. At first, you'll hate this. You've likely grown accustomed to flipping through photo books, pausing at a pic, and having the caption give you the basics so that you can move on. 'Sketching Light' makes you earn your knowledge. I guarantee you, however, that as you read Joe's narratives and decode his photos, you'll be a stronger photographer for your efforts.> This is not a beginner's book that lays a foundation of basic concepts and then layers new ideas on top. Rather, Joe starts right in at an intermediate level and keep moving. Think of 'Sketching Light' as a long conversation that jumps around and you won't be disappointed. Each "chapter" is really another "hey, let me tell you about this now...." And yes, you can jump around 'Sketching Light' and read the chapters for the pix that interest you today and then jump to another spot tomorrow.> 'Sketching Light' may give you deja vu. If you've read Joe's blog, watched his videos on Kelby Training, or attended one of his seminars/workshops, then you've likely seen some of these pix and heard some of these stories before. I see this as being like catching up with an old friend rather than a shortcoming. Of course, there were pages and pages of material in 'Sketching Light' that I'd never seen before.While wrapped in a cover that says "flash", for me, 'Sketching Light' is really about vision and using whatever gear you have to craft images that express that vision. It's about dreaming big and having the courage to fail. It's a book that says "go out there and create the images that only you can create."

Amazing book. He's a frikkin' genius writer, because he's so uninhibited and confident and smart that he gives you a brain-dump of everything in his mind. Take from it the bits you like, run with 'em, and have fun making some awesome shots.If you haven't used a lot of flash before, you'll sometimes read over a page and have no idea what he's talking about. WTF? Not that he's overly technical... kind of the opposite, that he's so gushing and enthusiastic and dropping all the hip terms for everything ("start with a bit of a hot rim and then back it off, 'cause in a sidelight situation it's gonna blow it out by a stop... then it gets piped backed to the lens and baby, it's dark out there!"), that it's hard to bring him out of orbit and back into the land of 'OK, what button do I push?' But stick with it. Read the book, shoot, read it again, shoot some more. You'll get it.McNally gets a lot of attention for using flashes in extraordinarily complex setups -- and yeah, he does. But he's always focusing on the people... the story... the eyes. He's not a landscape photographer. His stories about interacting with his subjects (models, celebrities, musicians, quarterbacks, astronomers, bagpipe makers) are what this is really about.This book has longer stories, more details and more diagrams compared with the previous books. If you don't have his other books (Hot Shoe Diaries, or The Moment it Clicks) and you want to learn his techniques, *get this one instead*. It's fatter, it's got more writing, and the narratives are longer and more intricate. This one is more chapter-based with various techniques, and the other two are closer to "here's a cool photo, and here's a page about how I took it." If you have the other two and love him, then get this one since it's essentially all-new material, and his technique and philosophy are so useful and inspiring, that the more you read and see of his work, the better your photos will end up as a result.*** Important note: McNally uses only Nikon and makes only passing mention of Canon. Everything is virtually interchangeable, *but* there's one important difference about flash exposure you need to know if you're a Canon shooter. All over the book, he's talking about the EV exposure compensation being a global adjustment (e.g., p. 213, 345) -- that is, if you change the EV on the camera, you program underexposure into the flash as well. That's how it works on Nikon, but *not* on Canon!On Nikon: the camera EV and flash EV are indeed linked: lowering the camera EV lowers the flash output. So, to highlight the foreground, you go -2 EV on the camera, and then back up +2 EV on the flash to compensate.But on Canon, this is *not true*: the camera EV and flash EV are independent. Dropping the camera EV drops the ambient exposure, but keeps the flash output the same! So to do the same as above on Canon, you want to do -2 EV on the camera, and leave the flash at 0 EV. If you do what McNally says, you'll end up over-flashing your subject on Canon.This difference is *not* well documented, but you can find some more info on it at Canon's web page -- Google for "Canon EOS speedlite system tips" and click on the tips by photographer Stephen Wilkes, and there are a lot of sample photos for how this works. Neither system is better or worse -- but you do need to be aware of the differences!*** Update February 2012. Nikon's new D4 will ship soon. The D4 offers the option to set the flash level using the Canon way, not the Nikon way... that is, on the D4, doing a -EV on the exposure will now leave the flash EV unaffected. Nice change, since it means you need to do one adjustment, not two, to lower the ambient level. It appears that this is an option (not a full-time change), and that this applies to the D4 only, not the D800. For details, search for an article called "Exposure Compensation When Using i-TTL Gets Easier with the D4" on Nikon's site.

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Sketching Light: An Illustrated Tour of the Possibilities of Flash (Voices That Matter) PDF
Sketching Light: An Illustrated Tour of the Possibilities of Flash (Voices That Matter) PDF